OLYMPUS OM-D E-M5 II 12-40mm f/2.8 compared to FUJI X-T1 16-55mm f/2.8 - Part 2 and Conclusion

OLYMPUS OM-D E-M5 II 12-40mm f/2.8 compared to FUJI X-T1 16-55mm f/2.8 - Part 2 and Conclusion
'If you've already chosen Fuji or Olympus then you're probably happy with what you've got and neither camera or lens has compelling reasons to make people change systems, as far as I'm concerned. However, some thought as to what might be the common photographic situations that you find yourself in, would be useful if you are considering one or other of these choices, if you are looking for a new system.'
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Hybrid Choices - The Fuji X-T1

Hybrid Choices - The Fuji X-T1
'Fuji make nice cameras, even nicer lenses, but as a hybrid camera they are pretty much non-starters. Because of the video. As you can see in the example at the top of the page, the footage created from the X-T1 can't really cope with a lot of complex movement. Nice 'dreamy' feel, but when this level of quality is easily bettered by my smartphones, there's something seriously wrong.....'
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FUJI X - X-Trans or Bayer CMOS Sensor? The Adobe Camera raw issue.

FUJI X - X-Trans or Bayer CMOS Sensor? The Adobe Camera raw issue.
'First off, let me make clear that this article relates to how the Fuji X-Trans sensor compares to the Bayer CMOS sensor in the Fuji X-A1, with regard to raw files processed in Photoshop CS6 / ACR and the OOC jpgs. Raw files processed in other software, such as Photo Ninja and Iridient Developer is a whole other story. In fact the raw files processed from either camera in either of these 'alternative' software apps are very similar (and incidentally very sharp and detailed) and for me, this is still the best way to see what a Fuji X camera + XF lenses is capable of. However, Lightroom and Photoshop are the most commonly used raw development software applications and this is where all the issues have occurred. I'll also been very critical of how Fuji process their out of camera jpgs. and I thought I'd deal with this also.'
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