We have just returned from a stock photography shoot in the Pembrokeshire Coast National Park in West Wales. On the way we stopped off at the Gower Peninsula and The Mumbles near Swansea. The light was very flat to begin with, so we used the Samsung NX10 for its warm high contrast jpgs.
On a Gower beach we found beautiful red and pink wild flowers amongst the sand dunes and in the absence of strong sunlight, concentrated on these using shallow depth of field.
The Samsung NX10 and the three lenses currently available, produce great richly coloured images that can be very "over the top" in bright sunny conditions, but can give a real lift to images taken on dull days. It is possible of course to tweak the jpg settings on most cameras, but we have never found anything approaching the Samsung for such intense colour saturation.
The requirement to produce commercial images that people find attractive and want to publish is very much the prime consideration in travel and landscape photography. Some people seem to object to photographs that do this. Back in the days of film there was a split between users of films like Fuji Velvia and Kodak Panther (A very short-lived yet beautiful film) and other less saturated emulsions. There was some notion of "photographic purity" that was often cited as a reason to use more "conservative" films such as Fuji Provia.
The truth of course was that no film was ever 100% "accurate" In the same way that no sensor in a digital camera reproduces "reality" Considering that we all see colour in a different way, there's not a lot of point to this anyway. The primary consideration with us is, have we produced an image that we are happy with? Also do we think that others might like it too and be prepared to pay to use it? Whether other photographers think that we over-saturate images or use too much photoshop manipulation, is not really of any concern to us. It makes as much sense as criticism of photographers such as Ansel Adams who worked out elaborate systems of exposure and development and used extensive "burning and dodging" techniques to produce his beautiful, yet often "unrealistic" images.
Whatever your photographic "philosophy" or personal preferences there is no "right" or "wrong" way to produce an image. Thankfully we have a wide variety of ways of taking and producing images, and choice and experimentation is always preferable to uniformity.
Our experience of the world through our eyes (the best lenses ever produced), is 3D, capable of incredible dynamic range and colour differentiation. The world is full of intense saturated colour, and it is often very difficult to produce a photographic image that does it justice.
Returning to the Welsh trip, the clouds did eventually lift late in the day and we able to get some dramatic shots of the Gower (Top Image) and the Mumbles Lighthouse (Below)
D & A